The Passenger

I have more to say about this song. It's meaningful to me because I ride the bus all the time, and I can confirm that you see things from under glass when you look through your window at the bright and hollow sky. Bristol may not have a winding ocean drive as such but it's a city with ripped backsides a-plenty, as anyone who's ever taken the 45 to Cherry Gardens can confirm.

And yet what's this?  In the third verse. Get into the car, we'll be the - sorry, what? Get into the what?

Oh no no no. No no no no no. This is all wrong. In desperation I googled American meaning for car in the hope that it might turn out to mean the passenger bit on a bus. It can mean a train carriage, but that doesn't help at all. It can even be the passenger compartment in a lift, but lifts move through entirely the wrong dimension, both spatially and metaphorically. This is hideously wrong.

And yes I'm a big fan of public transport, but that isn't the issue here. The issue is that you wouldn't normally find yourself sitting in a car unless you knew the people you were with, which means running the risk of having a rapport, even (don't say it, don't even think it) a conversation. Not in my song you don't.

I suppose it could be a taxi, but it doesn't say so, and not talking in a taxi is a statement of disdain rather than just the way things are done. Our passenger isn't rude, he just keeps himself to himself. On his bus.

Let us focus instead on the end of the fourth verse

And everything was made for you and me
All of it was made for you and me
'Cause it just belongs to you and me
So let's take a ride and see what's mine

Which is exactly what the World Cup is supposed to be, a ride through something that just belongs to you and me. Not Trump, not Infantino, not Mickey fucking Mouse. You and me. So there.

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